“What Angus Fletcher taught me, and teaches others, is a very complex matter of what it means for thinking to take place in a literary work. It’s the question of how Shakespeare thinks in his plays and sonnets, of how Henry James thinks in his late, intricate work, or of how Emily Dickinson thinks in her extraordinary poems. I've tried to extend Angus Fletcher’s way of looking at the mind as represented in art to the greatest American poet, Walt Whitman, who thinks through metaphors. My real subject, increasingly, is metaphorical thinking – which is how Shakespeare and all poets and novelists and storywriters think.”
Constructive Doodles
“Sometimes I experimentally write out a first paragraph – or middle paragraph, even – of a novel which I feel no obligation to write. Those kind of dabblings I always set down in a green, ring-bound A4 notebook. It’s full of paragraphs from novels I will never complete, or hardly start. But sooner or later, one of those paragraphs will snag my attention, and I’ll come back to it asking: why does that interest me so much, why does that seem to offer a peculiar kind of mental freedom? And so I might find myself adding a page or two. It was with a complete free hand, for example, that I once wrote what turned out to be the opening of Atonement – with no clear sense that I was committed to anything at all, I was just playing with narrative positions, with tone of voice, with a certain descriptive moment. Or I might decide that what I’ve written belongs to the middle of a novel, and then I’ll spend some idle time tracing out a beginning. Then abandoning it. It’s a way of tricking myself into writing novels.”
The Browser's Literature and Writing sections are definitely worth examining when you get a moment. (Haven't poked through the others sections to offer an opinion, so that's not a back-handed compliment.)
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